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The main narrative thrust of Yellow Barks Spider (Radiant Press, 2024), the debut coming-of-age novella by Saskatchewan-born trans-woman, filmmaker, sound artist and writer Harman Burns, is a rural boy’s journey toward transitioning to a woman. But to describe the experience of reading it in terms of coining a genre, I’d have to call it a Prairie Gothic Phantasia.
Memoirist and poet, Hollay Ghadery has described her first book of fiction, Widow Fantasies (Gordon Hill Press, 2024) as “the result of my struggling to make sense of my fantasising about planning my husband’s funeral.” Not that she wants him dead, but rather because of her need for a more equitable partnership in her marriage, such are the circuitous paths of the psyche.
Widow Fantasies is a unique collection of micro-fictions where Ghadery condenses her narratives into semi-oblique snapshots
If you do not have an appreciation for Persian carpets you will by the time you finish Lucy EM Black’s novel Stella’s Carpet. After reading Black’s vibrant descriptions of their artistry and rich history, I found myself searching the Internet for images of the patterns she writes about. But this is not a novel about carpets. At the heart of the story is a dysfunctional family with many secrets.
Everyone has parents. Everyone’s parents die. Yet the stories where parents and death intersect are unique.
George K. Ilsley’s recent memoir tells one such story. As a young adult, George left his Nova Scotia home, heading west, eventually landing in Vancouver—as far away as he could get while remaining in North America. Then, as he turns 50, his father turns 90, and his father needs, but doesn’t especially want, Ilsley’s care.
